Unknown Riches, Episode 2

I recently produced a sentence that made my friend learning Kílta ask which section of the grammar explained that use. Then I realized that not only was it not described in the grammar, I hadn't really thought about it explicitly.

Hakán ésamét kwan kwailo.
arm vaccine INST hurt.PFV
My arm hurts from the shot.

He wanted to know why the instrumental kwan was used here, when he would have gone for nós due to, on account of.

I have talked before about using a diary as a conlang tool. I am quite sure this sort of use of kwan started a while ago, but because the diary is handwritten, I can't easily search it to look for the first such use of kwan. Nonetheless, it was established early that kwan would indicate inanimate agents for passive verbs. The use of kwan in the example above is allied to that. It shows up in plenty of example sentences in the lexicon, chisanta kwan uttimo died from cancer, mata kwan atenko dissolved in the water, koska kwan haivo drown in shit, etc.

With a little thought it became clear that I was using kwan to indicate inanimate or indirect agents in patient intransitives (also known as "unaccusative verbs," an excessively cute and confusing bit of terminology). These are intransitive verbs where the grammatical subject doesn't have much agency in the situation, die, fall, be sick, happen, hurt, etc.

The detransitive suffix -is-o generally results in verbs with more patient-like subjects, so it, too, can take kwan in this sense, 

Chátis në mëtaula kwan kwitiso.
window TOP storm INST break.DETR.PFV
The window broke in (due to) the storm.

So here was a bit of Kílta grammar that was (probably) created in the diary, got used all over the examples, but hadn't been expressed explicitly until I got asked about what was going on. This is normal in the diary process. Certain use patterns develop because they seem right at the time, and over time take on semantics that can be hard to explain at first. In this case, I'm lucky enough to have someone ask me what I was up to with kwan. And now it's explained in the grammar.

Aka në rínchat no më - I will not fear

Years ago I started in on a Kílta translation of the very famous Litany Against Fear from Frank Herbert's Dune books. But I ran into a few problems I wasn't finding easy to work with, and rather than force it, I put the translation aside to marinate. I realized a few days ago I finally have the tools to address it in a naturally Kílta way.

Aka në rínchat no më.
Rínchot në, michumokës no,
Nekin uttimës no,
Mantin emémmiëtta no.
Rínchot si chérat no.       (5)
Aka si in hotekat in aimánat huitat no.
Rínchot në ohëchët, aka keta si michiëkan rinkat no.
Rínchot vë issa nen vura rokat no më.
Aka në anui vëchat no.

1) The canonical opening line is "I must not fear." Because the rest of the recitation uses the future a lot, I just put it in the future here. The film and TV adaptations of Dune all make their own modifications to the Litany, and the TV show used the simple future as well. I also use Kílta's high-agency first person pronoun, aka, which is more an aspiration if you're reciting this, but I find it a nice touch here.

2) I topicalize rínchot fear, and talk about it a bit. The word michumokës is a transparent compound, mind-killer.

3) Again, close to the original, "it is the little death" (no, not that one).

4) This is trickier. The original is "that brings total obliteration." I went with structural parallelism with line (3), [ADJ N no]. Emémmiëtta is a rather odd word, and means "that which causes destruction," in an instrumental sense. Often nouns derived like this are physical items. "It is a terrible instrument that causes destruction."

5) The closest equivalent to "I'll face my fear" in Kílta is rather aggressive, which I don't think is quite in keeping with the following lines. I use instead "I will acknowledge my fear," or even "I will feel my fear." The construction ADJ + chéro is normal for internal feeling expressions, which is supposed to be in mind for this sentence.

6) "I will allow it to go over and go through me." Very close to the original.

7) I use a converb clause for sequencing, rather than the nominalization of the original, "the fear having passed." Then I get to break out michiëkan with mind (attention) turned inward. There is a not often used suffix, -iëkan, which generates adverbs meaning in, inward, towards the center. The meanings are often idiomatic, as here. Michiëkan came out of some other vocabulary work I was doing, and once I had it I knew immediately it would work for this. I also use keta footprint, trace of passage, trace of existence.

8) "On the fear's path there will be nothing." Very close to the original, though again avoiding a nominalized relative clause.

9) A final declaration of agency, using aka, with the line very close to the original.

Translated out of Kílta:

I will not fear.
Fear, it is the mind-killer,
it is the little death,
it is a terrible cause of destruction.
I will feel my fear.       (5)
I will let it go over and go through me.
The fear having passed, I will see (its) trace by turning my mind inward.
On the fear's path there will be nothing.
Only I will remain.

This remains quite close to the original, while accepting a few changes to meet Kílta's usual way of doing things, and few tweaks to make the style work better in the language. The last line lands a little flat and obvious in Kílta, and might still get some pragmatic refinements in the future.